In today’s Belarus, the banning of books, prohibition of author-reader interactions, and censorship of artists are prevalent. The suppression of culture and literature has led to an increase in prison literature, causing a significant impact on the literary scene. The discrimination against the Belarusian language is severe, reminiscent of Soviet times.
Calibanism
The concept of ‘state calibanism’ emerged when the Miensk City Prosecutor’s office labeled literary works as ‘extremist’. Even classic authors from centuries past were not spared, where specific sections of their works were deemed criminal. Writers like Uladzimir Niakliajeū faced persecution for their political involvement, while poets like Łarysa Hieniuš and Natallia Arsieńnieva were considered extremists for their works supporting opposition movements.
The banning of Lidzija Arabiej’s works showcases the absurdity of censorship, where a story about a white Pomeranian became grounds for extremist labeling. This whimsical act of redacting literature highlights the regime’s fear of narratives that challenge their authority.
Letters of Hope
The withdrawal of Uladzimir Karatkievič’s novel from school curriculums underscores the regime’s insecurity. Karatkievič’s works symbolize resistance against imperialism and call for unity among Belarusians and Ukrainians. His literature serves as a mirror reflecting the struggles of the oppressed under authoritarian rule.
The adaptation of Karatkievič’s novel into an opera in London signifies the power of art in fostering solidarity. The performance evoked patriotic sentiments among Belarusians and Ukrainians, promoting resilience and hope in the face of adversity.
Children from war-affected regions in Ukraine shared ‘Letters of Hope’ during the opera, spreading messages of love and resilience. These letters serve as poignant reminders of the enduring human spirit amid turmoil and conflict.